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Soup Chat #16

Indonesian Version
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Mini Hall, Griya Musik Irama Indah
Jl. Diponegoro 114
Denpasar
tel/fax: +62.(0)361.237567 / +62.(0)361.226886
Minggu, 17 Februari 2008
18.30 WITA - selesai
peta lokasi

Pukul 18.30 pintu akan dibuka, menu utama tanpa interupsi dimulai pukul 19.00 dilanjutkan diskusi ringan dengan para musisi pukul 20.00.
Sebaiknya datang tepat waktu agar dapat menikmati menu pembuka Sup dan hidangan utama musik serta diskusi dengan para musisi dengan lengkap.

• Semangkuk Sup

• Prelude - J.S. Bach
• Recuerdos De La Alhambre - Tarrega
• Caprice no 24 - Paganini

oleh Lianto Tjahjoputro, Gitar

Short Bio:
Sejak usia ll tahun main ukulele, tahun l975 belajar gitar di YASMI.
Seringkali mengikuti kompetisi, l978 juara ll Indonesia, belajar pada Jos Breddie.
Mengajar di YPMI Jakarta, Sekolah Musik Victor Surabaya.
l984 belajar pada prof. Eliot di Jerman banyak membuat rekaman musik solo gitar.

• Rhapsody in blue (George Gershwin)

oleh Kyoko Kato & Tomoko Nishizawa, Piano

Short Bio:
Kyoko Kato
Mulai belajar piano umur 4thn
Tamat Osaka University of Arts, jurusan Musik
Mulai tinggal di Bali 1993, belajar musik Bali di STSI

Tomoko Nishizawa
Mulai belajar piano umur 5thn
Tamat Shiga Educational University, jurusan Musik
Mulai tinggal di Bali 1992, belajar musik Bali di STSI

• Prelude & Fuga in C sharp major - J.S.Bach
• Etude op.l0 no.3 in E major - F.Chopin
• Etude Concert: Gnomenreigen - F.Liszt
• Clair De Lune - C. Debussy

oleh J.M.C. Aditya Indradjaja, Piano

Short Bio:
Lebih dikenal sebagai ibu Tulus, mulai belajar piano pada usia l0 tahun
Menamatkan pendidikan musik di Akademi Musik Indonesia Jogjakarta (sekarang ISI Jogjakarta)
Sejak 1979 bergabung dengan Pendidikan Musik Yamaha di Bali, sampai sekarang
Mengikuti ujian ABRSM dan AMEB

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Selalu dibuka dengan menu pembuka (kali ini Sup Tomat dan Sup Kentang Prei) lalu berturut-turut Lianto Tjahjoputro, Duet Kyoko Kato dan Tomoko Nishizawa, dan JMC.Aditya Indradjaja (yang lebih dikenal sebagai ibu Tulus) menyuguhkan 1 jam penuh musik klasik dari denting gitar dan piano.

Dan tepat sebelum dimulai bincang-bincang antara para musisi, kita dikejutkan dengan suguhan menu tambahan 'Wave' pada piano yang dimainkan spontan oleh Willy H.

Diskusi yang bergulir adalah mengenai upaya mengatasi demam panggung, tips para pemain musik klasik bila melakukan kesalahan waktu memainkan lagu (dari mulai dilanjutkan saja karena kemungkinan besar penonton di Bali tidak tahu letak kesalahannya di mana, sampai mengulang lagu sampai partitur dimainkan sempurna).

Para musisi berbagi pengalaman bahwa kunci untuk menuju tingkat profesional yang baik di bidang ini adalah melakukan Latihan. Lianto, Kyoko dan Tomoko berlatih 7-8 jam sehari ketika mereka masih studi musik, begitu pula dengan Ibu Tulus. Namun jumlah jam latihan kemudian menurun seiring kesibukan sehari-hari baik mengajar maupun aktivitas lainnya. Kyoko yang bermukim di Bali semenjak hampir 10 tahun yang lalu malah menemukan kedamaian unik di Ubud dengan bercermin pada para pemain Gamelan Bali di Banjar yang berlatih seminggu 1-2 kali. Sangat berbeda dengan disiplin yang intens ketika ia belajar musik di Jepang.
Frekuensi Latihan biasanya meningkat ketika ada jadual pertunjukan/resital. Itu sebabnya para musisi menganggap penting sekali ada pertunjukan musik rutin diadakan. Selain sehat untuk pendengar juga meningkatkan kualitas para musisi itu sendiri.

Kendala utama mengenai pertunjukan musik klasik rutin ini memang dipahami sebagai kurangnya perhatian masyarakat umum dan permasalahan biaya.

Semoga semangat untuk bermain musik klasik dan menikmati musik klasik tidak akan luntur bahkan berkembang terus di Bali ini!

Terima kasih untuk: Ibu & Pak Tulus - Irama Indah, Lianto Tjahjoputro, Kyoko Kato, Tomoko Nishizawa
Tim Soup Chat #16: Komang, Cika, Ridwan, Cenli
Tukang Catat: Cika
Pendukung: Edo, Naomi
Tukang Foto: Bobby

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Mini Hall, Griya Musik Irama Indah
Jl. Diponegoro 114
Denpasar
tel/fax: +62.(0)361.237567 / +62.(0)361.226886
Sunday, 17 February 2008
18.30 WITA - end
location map

18.30 WITA fellowship, main course without interruption at 19.00 WITA continued with light chat with the musicians at 20.00 WITA
Be there on time to enjoy the whole delicious set of Soup, beautiful music main course and inspiring chat with the musicians.

• A bowl of soup

• Prelude - J.S. Bach
• Recuerdos De La Alhambre - Tarrega
• Caprice no 24 - Paganini

by Lianto Tjahjoputro, Gitar

Short Bio:
Playing Ukulele since 11 years old, he studied guitar in YASMI in 1975.
Often joined competition and also learned guitar from Jos Breddie.
Lianto teaches at YPMI Jakarta, Victor Music School Surabaya.
In 1984 he learned music to Prof Eliot in Germany and made numbers of solo guitar music records.

• Rhapsody in blue (George Gershwin)

by Kyoko Kato & Tomoko Nishizawa, Piano

Short Bio:
Kyoko Kato
First learn Piano at the age of 4
Graduated from Osaka University of Arts, music major
Start living in Bali since 1993, learned music in STSI

Tomoko Nishizawa
Play Piano since 5 years old
Graduated from Shiga Educational University, music major
Start living in Bali since 1992, learned music in STSI

• Prelude & Fuga in C sharp major - J.S.Bach
• Etude op.l0 no.3 in E major - F.Chopin
• Etude Concert: Gnomenreigen - F.Liszt
• Clair De Lune - C. Debussy

oleh J.M.C. Aditya Indradjaja, Piano

Short Bio:
Also known as Ibu Tulus, she started to play piano since 10 years old and finished her music study in Akademi Musik Indonesia Jogjakarta (now: ISI Jogjakarta)
She joined Yamaha Music Education in Bali and still teaching actively since 1979 up to present
She holds ABRSM and AMEB qulifications.

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Soupchat and Irama Indah Music School is working together for the first time, to present an evening of beautiful melodies, a classical music concert for the main course.

As always, we started with an appetizer (this time is Tomato soup and Potato Prei soup) and then continued by the main course, Lianto Tjahjoputro, Kyoko Kato and Tomoko Nishizawa duet and JMC.Aditya Indradjaja (also known as ibu Tulus) presenting 1 hour of classical music of guitar and piano.

Just before the Q and A session, we offered a surprise additional menu, "Wave" on piano, played by Willy H.

The discussion was about how to cope with stage fright, tips for classical musicians on handling mistakes when playing songs (whether keep continuing, pretending that most of Balinese audience won't even realize there's a mistake, or even repeating the piece again until it can played perfectly).

The musicians shared their experiences on how to reach a professional level, that is to practice. Lianto, Kyoko and Tomoko practicing 7-8 hours a day whenever they still studied the music, just the same as what Ibu Tulus did. But then, the practice hour reduced as they were getting busy with their daily routines as teacher or any other activities. Kyoko who live in Bali since 10 years ago, found her unique peaceful in Ubud by reflecting herself to the gamelan players in Banjar who rehearse 1-2 times weekly. This was a huge different compared to the intense dicipline of her musical education in Japan. The practice schedule usually increased whenever preparing a concert/recital. That is why the musicians feel it is very important to have routine concert. As it is healthy for the listener, it is also a good way upgrading the quality of the musicians.

The main issue of doing more classical concerts is the lack of public interest and also the cost.

Hopefully the spirit of classical music in Bali would never cease but grow more.

Thanks to: Ibu & Pak Tulus , Irama Indah, Lianto Tjahjoputro, Kyoko Kato, Tomoko Nishizawa
Soup Chat #16 Team: Komang, Cika, Ridwan, Cenli
Reported by: Cika
Supported by: Edo, Naomi
Photography: Bobby

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